An Account of a Visit from a Magical Girl

Featured image: “Mahou Shoujo Madoka☆Magica Magical Girl Madoka Magica #900086” by SubaruSumeragi.

I think it’s time to bring back this classic. Merry magical-girl Christmas to all!

’Twas the night before Christmas, when all through the town,
Lots of girls were a-stirring, to beat monsters down.
So they stalked all the baddies that threatened mankind,
For to blast them with magic and kick their behinds.

They crouched in the dark by the chimneys with care,
Or slipped across rooftops—villains beware!
One might wear a kerchief, and one has a cap,
But they all got short skirts, what you think about that?

Then at City Hall, there arose such a clatter,
That Plum Fairy Lyssa soon checked out the matter.
A monster showed up with a roar and a flash,
So Lyssa transformed and got ready to bash!

When what to her wondering eyes should appear,
But a slavering, fanged, and bloodthirsty deer?
’Twas Rudolph! Whose terrible, powerful nose,
Had at last warped his mind with its horrid bright glow!

Our Lyssa, however, so eager to brawl,
Quick leapt like a gymnast atop of a wall.
“Stop there, evil monster!” she said with a scoff,
“You’ve attacked us on Christmas, and that ticks me off!”

The Moon Princess blest her with power and might,
That she might be quick to kick butt in a fight,
To halt evil crooks in the midst of a crime,
Or to battle vile creatures beyond space and time!

Now punch him, now bludgeon! Now blast him with pow’r!
And yet his eyes glowed with a menacing glow’r!
Now kick him, now stab him, now strangle and blitz ’im!
That deer is no match for this young doe-eyed vixen!

At last Rudolph gasped and lay dead at her feet,
As his bright ruby blood ran out into the street.
“I’ve vanquished the creature,” the Plum Fairy mused,
“But why then do I feel as if I still should lose?”

In leapt Marionette, the famed robot girl,
With her magical pencil, which she gave a twirl.
“Young Lyssa, my dear, you have fought well and brave,
But killed poor Rudolph, whom you know you should save.”

“Well, no one has once taught me any of that,”
Said Lyssa, perplexed. (On the ground she now spat.)
“To fight off the monsters that threaten our world,
Is the constant hard job of a magical girl!”

“We fight for mankind, that is certainly true,”
Said Marionette, whose cold fingers turned blue.
“But always remember that we serve the Light—
Merry Christmas to all, and to all a clean fight!”

Book Update: ‘Jake and the Dynamo’ and Sequel Forthcoming

Sorry I haven’t posted in a while. I am working on preparing books for publication, and as always, these things take more time than I anticipate. In fact, in my available time, I have been doing almost nothing else. But that’s okay because I want to make sure I do this process right and get together everything I need for a successful roll-out.

My ambitious plan at present is to have five books published in 2021. If I can’t meet that, I should at least have four. I’ll definitely have three. The three is a given.

The first will be Jake and the Dynamo which will appear with a revised text and brand new packaging. The second will be its sequel. The third will be Rag & Muffin. I’ll announce the others later.

Anyway, one of my other goals is to post here more regularly, so look for consistent content as we move forward.

Self-Publishing: The Legend Continues

I am planning to re-release Jake and the Dynamo in the near future and to release its sequel soon afterwards. To that end, I recently purchased the cheapest refurbished MacBook I could get so I could download and buy Vellum, the software generally agreed to be about the only program for formatting self-published books for all platforms, and also the only eBook editing software that isn’t aggravating to use.

It’s darn expensive, though. I’m thinking I might offer to format others’ self-published books for them to make back some of the cost. I offer reasonable rates.

Anyway, I still need to get new cover art, so there is still no projected release date. I am also revising the text, and though this might seem like excessive editing, I want people to get the best, and a somewhat different, product from what was released previously. Interior illustrations will be the same as in the previous version.

Brief Musings on HTML Semantics

I have decided to invest in a copy of Vellum, the software that everyone agrees is the most hassle-free when it comes to preparing a manuscript for self-publishing. To use it, I also had to purchase a refurbished MacBook. In the near future, after I have some other things squared away, I’ll be looking into commissioning cover art, and after that, the first two volumes of Jake and the Dynamo will appear, probably within a month or two of each other.

I don’t have my new software yet because I’m waiting on the computer, but I wanted to try an experiment, which took me a surprising number of days to get ready: According to everything I have read, Amazon bases a self-publishing author’s profit from eBook sales on the size of the book’s file, meaning there is a motive to make the file as small as possible. To that end, I set out to create the smallest and cleanest Word document I could before converting it through Vellum, to see if it makes a difference in the final file size.

As it turned out, setting up this experiment took me a ridiculously long time, though future manuscripts I produce will be better for it, since I now have a clean, reusable template to work from. The DOCX files used by Word are infamous for “cruft,” that is, bloated code: If you manually change your font, for example, the default font is still lurking in the code of your document and will get repeated in every paragraph you make. The only way I know of to fix this is to edit the template and set up Word’s so-called “styles” with all the formatting changes you’re planning to use throughout the document.

Basically, I created a new template, copied and pasted the entire plain text of the first volume of Jake and the Dynamo, and reformatted it by hand. That took … longer than I expected. But the end result was a DOCX file half the size of the original.

DOCX files, I have learned, are actually built on XHTML, eXtensible Hypertext Markup Language, which is closely related to the HTML on which webpages are built. Some of Word’s “styles” take advantage of HTML tags, and at least a few of these are important for accessibility and proper document structure. Most importantly, all chapter headings in a manuscript should be made with actual heading styles, both so you can automatically generate a table of contents in the finished product and so the document will be navigable to anyone using assistive technologies such as screen readers. Using headings on web pages is important for the same reason, which is why I’ve been going back to edit some of my longer posts.

While I was rebuilding my manuscript, I got to thinking about other HTML semantics. One goofy feature of HTML is that, basically as an artifact of its developmental history, it has at least three (that I know of) ways of marking text so a user agent will render it in italics. Originally, there was the <i> tag, which just meant italic. But over time, the decision was made that HTML should be purely a semantic language while visual appearances should be handled by a separate markup language, CSS (Cascading Stylesheets). So the current HTML spec reimagines the <i> tag as standing for “idiomatic,” denoting text that is in a different mood or voice. The spec gives the concrete examples of names of ships or taxonomic designations, which are conventionally rendered in italics in English.

Now, in addition to the already-existing tag, there is <em>, which is also rendered in italics by default, but which denotes text that is emphasized. Then there is <cite>, which user agents also render in italics by default, but which is for titles of creative works—even though not all titles should be italicized.

Microsoft Word, of course, allows you to put text in italics while you’re typing, but it also has “emphasis” as one of its default styles. With a little fiddling around, I figured out, sure enough, that pressing the italic button adds <i> tags to the document whereas the emphasis style uses <em>. So, get this, I actually differentiated between the two in my document, using emphasis only for emphasized words and using standard italics for conventions and titles (there is no way, as far as I can tell, to insert a <cite> tag in a Word document).

Now, why would I do this? For my own satisfaction, mostly, but also because I want to see if it carries over to the new file types when I convert.

But then there is another question—is there actually any point to having these different tags? I have read long, drawn-out discussions among web developers over whether a particular instance of text should have <i> or <em> on it, but as far as I can tell, it makes no practical difference. Visually, they look the same, which means they can only be of importance to machines, but the machines that might distinguish between the tags, don’t. Google has said plainly that it does not parse the text of web pages finely enough to care which of these two tags is used, and if Google doesn’t care, it’s unlikely that other search engines do. Screen readers, which read web pages out loud to the visually impaired, could potentially read the marked-up text in a different tone of voice, but according to what I have read, few if any of them actually do. In other words, <em> designates emphasis, but that emphasis is not reproduced verbally.

On top of that, content creators, such as bloggers, are mostly ignorant of these distinctions: They simply write using an editor designed to resemble a word processor, and they hit the italics button when they want italics. In most online editors, that means an <em> tag, which is used indiscriminately for the names of ships and paintings and books as well as for emphasis.

On top of that, the distinction between the tags is ridiculously ambiguous, as evidenced by the lengthy arguments over proper use. The spec for the <i> tag is basically a frantic attempt to justify its continued existence.

But, in any case, I’ll let you know if, in the near future, I am the proud owner of the most semantically correct eBook on the market.

Back in Action

Sorry I’ve been so quiet of late. I do not have a lot of content at the moment simply because I’ve been busy with other things. I’m in the midst of a time-consuming project, but I hope that, once I’m done with it, I will have some definite updates on the release of both volume 1 and volume 2 of Jake and the Dynamo. Basically, I’m working on the getting these books back to market after my publisher had to close its doors.

I’ve also managed to find a little time to start watching My-HiME again. I planned to make that my next review, but then other things intervened and my watching of it went on hiatus. I should, however, be able to talk about that and a few other titles in the near future.

Writing ..

Spending the evening writng. That is all.

The State of the eBook Exploration

So, I’ve been exploring the subject of how to get into self-publishing and generate my own professional-looking books. General agreement is that the best software for doing this is Vellum, though that has both a prohibitive price ($250 for the full package), and it only runs on a Mac.

Besides that, there is a slew of open-source programs that, altogether, will probably accomplish the same tasks but with considerably more difficulty for the end-user.

Adding to these difficulties, my laptop is now extremely out of date. I’m still running Windows 7 and much of the software I would like to try will only run on Windows 8 or later. This includes Amazon’s free Kindle eBook generator.

When I started exploring this, I naïvely thought at first that I might not have too much difficulty. As it turns out, eBooks are packages of CSS and XHTML files. I saw some authors complaining that most of the software aside from Vellum requires some coding knowledge, and I thought to myself, “Hold on, I can write CSS and HTML.”

So I took an eBook generated in Vellum and pulled it open using an open-source EPUB editor called Sigil, and I didn’t have too much difficulty figuring out how it was built. Not only that, but I thought to myself that, by editing the code directly, I could probably create a much cleaner, more compact file with fewer <div>s and without all the unused CSS rules. I could stick to readable web-safe fonts too. Small file size, after all, is important to sales and royalties since Amazon takes its slice based on file size.

So I started editing the first volume of Jake and the Dynamo in Sigil, and while I could indeed make a slim file with a lot of the same cosmetic features typical of a professionally generated eBook, it was incredibly time-consuming, basically requiring me to insert and edit each paragraph individually (mostly to make sure the italics were in the right places). With a judicious selection of web-safe font stacks, the existing images, and some proper HTML semantics, presto, the result was what you see in the header.

The result looks good in Sigil. But that’s the important part—in Sigil. I opened it with another program and started seeing problems, such as my drop-caps wandering all over the page (and I don’t know why; the CSS for my drop-caps is very similar to how WordPress does it).

But the biggest mess came from Amazon, which insists on a proprietary filetype, MOBI. I made the conversion to MOBI using Calibre, which I can only use in an older version because the latest doesn’t work on Windows 7, and the result was a complete mess. Most especially, either the MOBI filetype or Calibre (not sure which) doesn’t like a lot of my CSS; the kind of stuff I’d do on the web to make sure images resize while keeping their proportions, or to stylize certain tags, apparently doesn’t work in Amazon’s eBooks.

I’ve been needing for some time to update my computer, and that need has become more apparent over the last few days as I’ve repeatedly tried to run software that simply won’t run on my antiquated system. What I’m thinking at present is that I might go ahead and shell out for a refurbished Macbook and a copy of Vellum, and then continue to plod along with my current system for everything else as long as possible. Meanwhile, I’ll add a laptop-update fund to the monthly budget.

Update on the State of ‘Jake and the Dynamo’

I have all but finally decided to self-publish Jake and the Dynamo, which was my original intention with the series anyway. This is admittedly a self-own, but I’m having a hard time getting a publisher to acknowledge my existence—and I don’t mean accept my manuscript; I really mean acknowledge my existence. I think something serious has happened to the industry in the last decade because I used to be able to collect polite, pre-formatted rejection slips. Now I can’t even get a “you suck so don’t write to us again.”

I’m currently swimming in a bewildering array of advice, much of it obviously bad or exploitative, about how to move forward with this. I will certainly have to commission cover art, for which I have some leads, and also format the manuscript. I’m assuming the latter task will require learning some new software, though I’m unsure of that as of yet. My former publisher used Vellum, I think, but that’s only available on Mac, and I don’t have one. At the very least, I know something about web and document accessibility, which will probably help.

So that’s what I’m up to right now, which is part of why the content here is so slim. I really want to get the first two volumes of Jake and the Dynamo available in the near future; the first needs republished, and the second needs to be published for the first time. I am in the midst of the draft of the third. I don’t want to be too hasty and have a bad roll-out when a little more legwork could produce a better product (and more sales, of course).

Rag & Muffin is currently on an editor’s desk, and the requested wait period has not closed, but considering how things are going, I expect that it will (about three months now) without my existence having been acknowledged. At that point, I will consider self-publishing it as well, though I might attempt more submissions first.

I gotta work tonight …

I’m starting to explore the possibilities of self-publishing, so I’m spending tonight looking into the subject and gathering information on what steps to take. I’ll check in later with some some reviews and stuff.

‘Rag & Muffin’ Excerpt

This is an excerpt from my novel Rag & Muffin. It is currently on an editor’s desk, but since I am getting ignored rather than rejections, I may move to self-publication in the near future. Anyway, this has to include a language warning since it’s more explicit than what I normally post on the blog.

In the dark, on her grass mat, Miss Alice sat in the Padmasana—Lotus Posture—one of the basic positions of Yoga. She had heard that if she practiced Yoga, she could make her Sammohana stronger.

She wanted to make it stronger.

It was the only thing she had.

She tried to focus on her breathing, but it was hard: She kept thinking about the men, about the chair, about the buzzing whine of the drill and the horrible pain it made when it went into her head. The back of her neck hurt. Her brain throbbed with a monotonous ache that made it difficult to think, and she still felt vestiges of the sickness and chills she got the last time they dug into her skull.

She didn’t understand why they were doing this to her. She didn’t even hate them. But she felt stark terror every time the door opened because it meant more agony, more screaming, more sickness. It meant their greasy hands and bad smells. It meant being hit and slapped and tied down. It meant searing pain.

She heard steps outside. She heard a hand rattling the knob. She heard the knob turn with a groan and a click.

The metal door opened with the ear-splitting creak of rusty hinges. Once again, she used her only weapon.

As he came through the door, she looked into his eyes. With a stab of pain, she felt her ravaged Heaven Seed gland squeeze down, and a pleasant ripple ran across her body. She began to speak, to order him to release her—but he simply walked over and slapped her on the mouth.

“Don’t you ever try that on me, you little cunt. And stop wasting your juice.”

It was the man they called Harman. The really bad one, meaner than the others.

Sammohana never worked on him.

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