The United Nations Gets Something Right

I felt a great disturbance in the Force, as if a million perverts cried out in terror and were suddenly silenced.

The online anime community has been in an uproar since Valentine’s Day because the United Nations has proposed an expanded definition of child pornography. The “Optional Protocol to the Convention on the Rights of the Child,” currently in draft, defines child pornography as including “photographs, movies, drawings and cartoons” depicting “a child engaged in real or simulated sexually explicit conduct.” As usual, Know Your Meme has an impressively even-tempered write-up.

This has a lot of otaku and weeaboos in a tizzy because … well, because they want their sexually explicit depictions of children, and they’re not even trying to hide it anymore. Some have taken to referring to this as a “loli ban,” or in some cases, as in MaiOtaku, they’ve claimed the “United Nations is trying to ban anime,” which would be true only if anime and child pornography were synonymous.

Even calling it a loli ban is arguably disingenuous: Although the term loli is unquestionably of disreputable etymology (it ultimately derives from the novel Lolita), it is used by weebs as a generic term for any young girl characters, particularly ones who wear pseudo-Victorian dress, at least as often as it is used for child pornography. They’re trying to imply here that animators will no longer be allowed to depict children at all, which is simply not the case.

Taken in its literal meaning, this “loli ban” would actually ban only unambiguous child pornography, which means the creepers could still keep their panty shots and their suggestive transformation sequences and all the other things that manga and anime don’t need and would be better off without. In fact, it would probably have little effect at all anyway, since creators of this stuff long ago discovered that they could get around such rules by claiming that a clearly prepubescent character is actually eighteen or a robot or something.

And besides that, the U.N. is a joke and would have no actual power to enforce this anyway. I mean, what are they gonna do, invade Japan?


What is perhaps most dismaying to me personally about the whole affair is just how bad the arguments are against the U.N.’s proposed policy. Child pornography isn’t really defensible anyway, but jeez, it shows what a philosophical dark age we live in that these are the best defenses anyone can come up with.

The arguments against the policy, at least that I have seen, are two, and they go like this:

  1. Muh freedom. This argument is  that “free expression” is a good in itself and should not be impinged in any fashion. I live in the United States, which was at least formerly the world’s leading defender of free speech. Our First Amendment, in its phrasing and original context, was clearly meant to protect political and religious speech. In spite of some erroneous and disastrous Supreme Court interpretations, it was never meant to protect pornography, which once upon a time was as illegal here as in the rest of the civilized world.

    The error here is in treating free speech as a good in itself rather than as a means to a good end. Pornography, the disastrous effects of which are obvious to anyone honest with himself, has no possible good end and does not need to be protected as free speech. It is akin to the example of adultery that Aristotle uses in the Nichomachean Ethics: it is wrong in itself and cannot be done moderately or temperately, which places it in an entirely separate category from expressing one’s honest opinion on matters philosophical, political, or religious.

  2. No real children are involved so it doesn’t hurt anybody. This argument has popped up in various forms all over the place. It is an argument that derives from a degraded version of Utilitarian ethics.

    The Utilitarians have held to the view that ethical actions should seek to maximize the most good, or pleasure, for the largest number of people. Utilitarianism typically flounders in trying to determine how such a calculus could actually be done. Over time, it has degenerated into doing the least amount of harm, or “not hurting anybody,” rather than doing the most good. This enables people to get away with most anything simply by defining harm in such a narrow way as to excuse most any vice they want to indulge in. Animated or drawn child pornography may not harm a specific child directly, but it nonetheless harms children generally in that it normalizes the sexualization and sexual exploitation of children. It also harms, morally or spiritually, the artist who produces the work and the people who consume it.

Cinemassacre on ‘Akira’

I have for some time been following James Rolfe, as I’ve enjoyed both his discussions of film and, in spite of the crassness and vulgarity, his role as the Angry Video Game Nerd. He mostly discusses retro video games and B-movies, so I was surprised when I saw a review of Akira appear in my YouTube recommendations.

The reason he hasn’t discussed much anime, as he freely admits in this video, is because he hasn’t seen much. His discussion here is positive, though I was disappointed to find that it was mostly fanboyish enthusiasm rather than analysis.

For any readers here unaware, Akira appeared in 1988 and depicted a dystopian future Tokyo of 2019. The protagonists are punkish biker thugs who begin as best friends and end up trying to kill each other on account of a secret government program investigating children with psychic powers.

The movie is credited with jump-starting the anime craze in the U.S., and it was extremely influential in Japan as well. The animation was some of the best ever made at the time, and involved some bold choices that might go unappreciated in the age of computer animation, such as the decision to set most of the story at night, which required considerable extra work because of the dark colors and backgrounds. Like many anime of the late Eighties, it takes influence from Blade Runner, and like many anime films, it is opaque and largely indecipherable, though it’s based on a much lengthier manga that’s considerably easier to understand.

It was probably popular in the States in part because it was shocking, with bloody ultra-violence and graphic nudity, which fans inevitably contrasted with the content of animation aimed at children.

Personally, I have to admit I’ve never cared for it, even though both the manga and the film are undeniably impressive achievements. Mostly, I just hate the characters.

Anime Review: ‘ViVid Strike!’

I have come to make friends and to kick ass, and I am all out of friends.

, directed by Junji Nishimura. Written by Masaki Tsuzuki. Music by Yôichiro Yoshikawa. Starring Eri Kitamura, Inori Minase, and Mamiko Noto. Seven Arcs (). 12 episodes of 23 minutes (approx. ). Not rated.

Available on Amazon Prime.

ViVid Strike! is the fifth anime series in the main continuity of the Magical Girl Lyrical Nanoha franchise. On the one hand, that hardly matters because this series is designed to stand alone: No previous knowledge of Lyrical Nanoha is necessary to understand and enjoy what’s going on here. But on the other hand, despite a radical departure from the previous incarnations of the franchise, ViVid Strike! takes Lyrical Nanoha back to its roots, back to the core concept that made the franchise so enormously popular in first place—magic-powered little girls viciously beating each other to a bloody pulp in the name of friendship.

Fuuka and Rinne punch each other in the face.
When you’re friends.

Indeed, although it is not without its problems, ViVid Strike! is arguably the strongest entry in the long-running franchise, or at least the one with the clearest vision … as well as the most brutal violence.

Continue reading “Anime Review: ‘ViVid Strike!’”

#memes

Art by Lighane

Featured image: “Magical Girl OC” by Lighane

I am still out and about on my Christmas vacation, though I will be returning home shortly after the start of the new year, and then I’ll be able to return to more substantial posting. In the meanwhile, I’m still working my way through polishing and updates for the blog, including structured data and microdata for all the posts.

A Thorny Problem: The ‘Revolutionary Girl Utena’ Rewatch, Part 17

The bird is fighting its way out of the egg. The egg is the world. Whoever wishes to be born must destroy a world. The bird is flying to God. The god is named Abraxas.

Herman Hesse, Demian

Revolutionary Girl Utena, episode 17: “The Thorns of Death.” Directed by Kunihiko Ikuhara. Character designs by Chiho Saito. Be-Papas, 1997 (Nozomi Entertainment, 2011). Approx. 24 minutes. Rated “16+.”

Watch for free.

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After one of the worst filler episodes in the show’s entire run, Revolutionary Girl Utena is now back on track.

This episode finally introduces Shiori, the nameless purple-haired girl we had earlier encountered in flashbacks as the unrequited love of Juri. Shiori stole the man she thought Juri was in love with.

Shiori smiles as she sits near the open window in her room
Shiori.

Shiori has enrolled again at Ohtori Academy after having attended another institution through middle school. The unnamed boy she though she had swiped from Juri is now out of her life for reasons we never learn.

Continue reading “A Thorny Problem: The ‘Revolutionary Girl Utena’ Rewatch, Part 17”

Anime Review: ‘Made in Abyss’

When it stares back.

Made in Abyss, directed by Masayuki Kojima. Written by Keigo Koyanagi, Hideyuki Kurata, and Akihito Tsukushi. Starring Miyu Tomita, Mariya Ise, and Maaya Sakamoto. Kinema Citrus (). 12 episodes of 23 minutes and 1 episode of 46 minutes (approx. 322 minutes). Rated TV-14.

Available on Amazon Prime and HIDIVE.

When Made in Abyss appeared in 2017, it was the biggest hit of its season, if not the year. It also quickly became one of the most polarizing titles on social media. I was already praising it before it appeared in English simply because I’d caught glimpses of its creator’s art. Then I started to hear … rumors … that made me squeamish—mostly about the manga being a hairsbreadth from lolicon.

Riko and Reg gaze into the AbyssI’ve not had a chance to read the manga, which if I’m not mistaken is still ongoing, but I have finally sat down and watched the thirteen-episode first season of the anime. I can say nothing substantial about its source material (my info is mostly hearsay coupled with some amazing panel art), but I will say that, whatever the manga is like, the anime is really, really impressive. This is one of the best cartoons I’ve ever seen, hands down.

Continue reading “Anime Review: ‘Made in Abyss’”

‘Made in Abyss’ Incoming

I recently finished Made in Abyss. I’ll have the review up in a few days, but I want to give a reasonably thoughtful commentary on some of the controversy that surrounded this show, so my review might take a bit to polish. As a preliminary, I’ll just say that, whatever its source material might be like, the animated version is one of the best anime I’ve ever seen, up there with the likes of Vision of Escaflowne and Super Dimension Fortress Macross.

It should be watched for its background art if nothing else, but there’s also the soundtrack, the direction, the lovable characters … and the frontier medicine scene. If you’ve seen it, you know what I’m talking about.

I probably need to wait a few days to publish because if I talk about it too soon, I’m more likely to gush over it than review it properly. Just amazing.

But anyway, I think I should stop writing about it for tonight and go work on my book instead.

Finally Watching ‘Made in Abyss’

I was into Made in Abyss before it was cool … sort of.

The creator of Made in Abyss is one Akihito Tsukushi. I first learned of his existence when I discovered some stunning fan art he made for Fairy Musketeers, one of my all-time favorite magical girl shows. I thereafter learned that he had created a web serial called Made in Abyss, which was gaining some popularity because of its stunning artwork.

Overhead shot of the Abyss
The Abyss.

Not long after that, the anime adaptation was announced, and it was simulcast on the (now defunct) Amazon Strike. Around the same time, Seven Seas Entertainment nabbed the manga for a translation.

During its run, Made in Abyss was about all anime fans were talking about. I watched as the talk in my Twitter timeline slowly evolved from “Made in Abyss is amazing” to “whoa this is dark” to “exactly how perverted is Made in Abyss, anyway?”

Riko and Reg sleeping
Scandalizing Twitter since 2017.

Much as I wanted to, I was unable to watch Made in Abyss during its run, because I was in graduate school and working two part-time jobs, and I simply couldn’t justify the frivolous expense of a streaming service. Now that I’m gainfully employed, however, I’ve been exploring the anime available on Amazon Prime, but I hadn’t yet made it to Made in Abyss because I was working my way through some of the available magical girl shows first.

The two protagonists of the show
The heroes of Made in Abyss.

I’ve now seen two episodes of the show and, I must say, it so far is living up to the hype. Although perhaps not quite on the level of the intricate designs from its source material, the background art in this anime is freaking amazingsauce. I almost don’t care about the story because I’m too busy drooling over the artwork.

But the story is really cool, too. The premise is that there is this enormous pit, of unknown depth, full of dangerous monsters as well as powerful relics, and a city with an entire culture based on its exploration has grown up around its rim. The protagonist is one twelve-year-old Riko, an excitable girl who wants to live up to the reputation of her mother, who was one of the Abyss’s great explorers. Living in an orphanage where she is a “Red Whistle,” an apprentice cave-raider, she discovers a robotic boy who possibly came from the Abyss’s deepest and unexplored levels.

Reg
Reg, the robot boy.

Exploring the Abyss is not only hazardous in itself, but it comes with a “Curse”: the lower you go, the greater sickness you face when you try to rise again to the surface. Anyone who explores deeply enough cannot leave the Abyss again without dying or losing his humanity.

The characters of Made in Abyss are drawn in a style sometimes called “puni plush,” an exaggerated anime style in which everyone looks like a prepubescent child—like, moreso than usual, I mean. The character designs accent the sense of wonder and adventure, but belie some of the story’s grimmer themes.

Riko facing the camera
She looks so darn huggable.

The look and feel of this show is much like something that would come out of Studio Ghibli. Again, I’m only two episodes into it as I write this, but it is so far one of the best things I’ve ever seen. It’s has that sense that you’re watching something larger than itself, a story that was told around campfires long ago and that will still be told even after this particular version of it has been long forgotten. It feels timeless.

And the art! I sometimes just want to turn off the sound and stare at the pictures.

A gondola rising out of the Abyss
Shut up, Made in Abyss. I’m not paying you to talk.

Review: ‘Flowering Heart,’ Season 1

Make up! Change!

Flowering Heart, directed by Lee Woo-Jin. Written by Lee Woo-Jin, Kim Hyoung-Kyo, et al. Starring Nancy Kim, Jacqueline Youn, and Dami Lee. ICONIX Entertainment (). 26 episodes of 11 minutes (approx. ). Not rated.

What we have before us is a magical girl title from South Korea. Being a magical-girl franchise from outside Japan, this arguably falls into the same category as such other non-Japanese titles as Winx Club, LoliRock, or Star vs. the Forces of Evil. But, of course, you’ve likely seen plenty of South Korean animation already, as both America and Japan outsource a lot of animation to that country.

Ari with tears in her eyes
Our heroine.

As of the time of writing, this series has two seasons, but as far as I have been able to determine, only the first is available in English. I originally found it on Amazon Prime, which hosts the English dub, but you can also watch for free on the show’s official YouTube channel.

Now here’s the confusing part: There is a dub of the whole season available, as well as a Korean version. But there are also at least a few episodes that have been left in the original Korean but subtitled in English. However, they haven’t been set aside in their own playlist, and their descriptions are entirely in Korean. Here’s the first episode with subtitles. After that … good luck. I’ve been struggling to figure out where the rest of the subs are; at least the second episode is there, and some later ones too, so possibly the whole subtitled series is buried in there someplace.

Continue reading “Review: ‘Flowering Heart,’ Season 1”