Prepare Yourselves: I’m Going to Hate on ‘Chobits’

My nine-part series, “Why I Hate Cardcaptor Sakura,” is consistently the most popular thing on this blog. In the last essay of that series, I promised a similar discussion of the insanely popular and bestselling Chobits, which is CLAMP’s homage to—or possibly their sly takedown of—the magical girlfriend/robot girl genre.

I hadn’t got around to this for several reasons, the main one being that, due to life circumstances, I did not until recently have access to my two-volume omnibus set of Chobits. The other reason was that I detested the story so much that I was loathe to pick it up again. I couldn’t even bring myself to finish it on my first attempt.

Of course, as an author, I’m not above swiping stuff even from things I hate. Readers familiar with my novel Jake and the Dynamo may have recognized that I borrowed from Chobits—or mocked it, rather—in my depiction of Grease Pencil Marionette.

This essay may take me some time to complete, not because it’s hard to express my hate (that part’s easy), but because it will take a lot of time to explain, thoroughly and carefully, exactly what’s wrong with Chobits, exactly why it is a failure as a story, a failure as a hamfisted and amateurish attempt at philosophy, and generally loathsome.

As I stated before, my hate for Cardcaptor Sakura is fanboyish hatred, the kind of melodramatic grousing that fans do about things they like. But my hatred for Chobits is the real deal. It is disgusting, wretched, and more importantly, stupid, in every possible way.

One thing about it, though, is easy to point out and mock, and I have done so in the little meme I put together above. The story is actually, I kid you not, about a girl robot with a reboot switch capable of reformatting her drive, located in her nether regions. And this isn’t some dirty little gag created for a cheap laugh, either: it is actually the centerpiece of the plot, leading to the burning question of whether the protagonist will be able to shag his computer console because of her stupid switch. The whole damn story centers around where this robo-chick has her on/off button.

And even though at least three of the characters are computer experts, brilliant enough to build their own hyper-realistic girl robots, not a single one of them, not one, suggests the simple solution of disconnecting or moving the damn switch.

I friggin’ hate Chobits, man.

‘Son of Hel,’ Chapter 1

I spent the evening working on Son of Hel, a novel about Santa Claus inspired by the famously bad movie Santa Claus Conquers the Martians. The following is the rough draft of the first chapter:


This was the End of the World. It was a place few mortals had seen—and most who had seen it had not survived to tell.

At the pinnacle of the Earth, the Arctic Ocean’s surface turned to ten feet of ice—but beneath the ice, the deep ocean still flowed. Thus it poured, in a vast circle ten thousand feet across, into a round hole penetrating the surface of the globe, forming the world’s largest waterfall. This was the Symmes Hole: The water that flowed into it, lifeblood of the planet, ran through unseen rivers and streams throughout the Earth’s hollow interior, thus becoming the source of the planet’s innumerable springs and wells before it at last exited at the South Pole in a geyser as enormous and deadly as the North Pole’s waterfalls.

In the center of this vast circle of tumbling water, jutting up from the Earth’s unexplored interior, was the Black Precipice, a mountain to rival Everest, made all of lodestone. This mountain it was that caused all compass needles to point inexorably north. Though enormous, the Black Precipice was invisible from the iced-over ocean beyond, shrouded as it was in a permanent cloak of white mist rising from the tumbling water around the Symmes Hole. Few men had glimpsed this terrifying mountain, and most who had, had soon met their deaths in the ten-thousand-foot drop of the vasty waterfalls. Man had not yet built the flying ships capable of crossing the chasm and landing safely on the Black Precipice’s craggy cliffs, so those who dwelt on its slopes remained, for the time being, unharried by the rapaciousness of human greed.

The queen of Elfland, in her chariot pulled by atomies, passed over the deadly falls with no difficulty. Even the terrible winds howling about the great mountain gave her no trouble, as her magical steeds could easily block the frigid gusts with their gossamer wings.

No taller than a thimble, she landed on a level spot overlooking one of the Black Precipice’s sheer cliffs, but as she stepped from her car, she grew to human size—and then grew taller still, at last stopping at a regal height of seven feet. Cloaked in white fur, with a tall crown of intricately intertwined crystal, delicate as a snowflake, atop her head, she walked accompanied on either side by two fairies in golden armor, who bore spears and bows.

All around the Black Precipice’s lower slopes stood a vast city of the elves. Because of the mountain’s extreme magnetism, not a speck of iron was allowed in this place, so the great and nameless city sparkled all over like burnished gold. Every roof was of shining copper, and the high walls around its greatest fortresses were of brass. Gold leaf adorned every doorpost, and the walls of even the humblest dwellings were of marble. Although the waterfalls encircling the mountain thundered perpetually, as the queen approached the city, the noise of the tumbling ocean was soon drowned out by the cacophony of hammers and saws.

Continue reading “‘Son of Hel,’ Chapter 1”

New Project

I have just today begun a new writing project under the working title Son of Hel.

I have long been fascinated with fantasy works that syncretize existing lore, and this particular book will be an attempt to bring together various traditions about Saint Nicholas, or Santa Claus, and place them in a sci-fi story loosely inspired by the famously bad movie Santa Claus Conquers the Martians. It will feature Black Peter as Nicholas’s faithful Saracen companion, and Krampus as a dark and violent projection of his troubled psyche. It will also feature aerial battles involving magic reindeer and flying saucers.

This will be, for the time being, a side project in addition to the second volume of Jake and the Dynamo. I have no projection at present, though I’d like it to release somewhere around Christmas when I complete it.

#aaaaaahhhhhhttttt

The art posted here comes from Shen YH, who has created a watercolor-like art imagining Made in Abyss as a video game. I’m not sure what the purpose is behind this, but if it’s concept art for an actual game, that would be awesome.

These images apparently imagine Reg, the robot boy, as the player character, and depict him in some of the most iconic scenes from the TV series, now with health bars and maps and such.

Reg faces a monster in the Goblet of Giants

Reg faces a white whistle in the base camp of the second layer

Reg fights corpse weepers attacking Riko

Reg and Riko overlook a chasm

Reg hides from a lurking monster

Anime Review: ‘Made in Abyss’

When it stares back.

Made in Abyss, directed by Masayuki Kojima. Written by Keigo Koyanagi, Hideyuki Kurata, and Akihito Tsukushi. Starring Miyu Tomita, Mariya Ise, and Maaya Sakamoto. Kinema Citrus (). 12 episodes of 23 minutes and 1 episode of 46 minutes (approx. 322 minutes). Rated TV-14.

Available on Amazon Prime and HIDIVE.

When Made in Abyss appeared in 2017, it was the biggest hit of its season, if not the year. It also quickly became one of the most polarizing titles on social media. I was already praising it before it appeared in English simply because I’d caught glimpses of its creator’s art. Then I started to hear … rumors … that made me squeamish—mostly about the manga being a hairsbreadth from lolicon.

Riko and Reg gaze into the AbyssI’ve not had a chance to read the manga, which if I’m not mistaken is still ongoing, but I have finally sat down and watched the thirteen-episode first season of the anime. I can say nothing substantial about its source material (my info is mostly hearsay coupled with some amazing panel art), but I will say that, whatever the manga is like, the anime is really, really impressive. This is one of the best cartoons I’ve ever seen, hands down.

Continue reading “Anime Review: ‘Made in Abyss’”

‘ViVid Strike!’

It might be a bit before I finally produce the review of Made in Abyss that I’ve promised. I’m working on my book today instead, and I should probably consider higher priority.

I’m also trying to figure out the new interface for WordPress, which is an improvement over the old one in some respects, but deeply frustrating in others. They added some handy new features, but for some reason also stripped down the WYSIWYG editor, so to do some of the formatting I used to use routinely, I now have to write in-line CSS . Go figure. And there’s not even a button to insert ordered lists; I mean, that’s basic HTML, and this editor can’t handle it. Good thing I know some HTML.

I’ve decided that, after Made in Abyss, the next series I tackle will be ViVid Strike!, which is the last series in the Lyrical Nanoha franchise available on Amazon Prime. After that, I intend to drop the service: Amazon Prime is expensive, and its selection is lousy for an anime fan. For someone interested in magical girls, Lyrical Nanoha is probably its biggest draw, and even then, its selection is disappointing: it has none of the movies, and it’s missing ViVid, the series that comes after StrikerS and before ViVid Strike!

I haven’t started it yet, but ViVid Strike! is supposed to be fairly violent series, with more physical combat and fewer magical attacks than its predecessors.

Once I’m done with Amazon, I’ll probably subscribe to HIDIVE, which I can get for only five bucks a month (a third of Amazon’s price), and start working through their catalog. After I’ve eliminated everything of immediate interest that they have, I’ll likely end up subscribed to the complete VRV package and return to Crunchyroll in spite of my increased misgivings. But I’ll put that off for as long as I can to give them time either to clean up their act or crash and burn completely.

So … that’s all I have for today. I’m just too pissed off at WordPress to write any more. I mean, is it too much to ask to have a blog editor that can insert numbered lists or special characters? And whatever happened to my ability to indent paragraphs?

The Children of the Night, What Sweet Nougat They Make

I am currently working on the sequence in the second volume of Jake and the Dynamo in which Jake assists Magical Girl Nunchuk Nun in a battle against vampire pastry chefs in the catacombs under the reconstructed Basilica of St. Peter’s in Rome-in-Exile.

I’m not sure it’s coming out the way I want, but I think this is pretty funny:

Pushing off from the armrest, Jake regained his feet and found himself facing a black-robed figure with a bone-white face. This gaunt creature’s head was a pale dome, entirely without hair, but marked on the left side, just above the ear, by a peculiar, puss-filled boil that somehow put Jake in mind of a half-formed eye. The creature’s unusually long and knobby ears ended in flaccid points. Although the rest of his skin was pale like that of a corpse, his lips were a bright red—not quite like lipstick, but more like cold sores that had spread to entirely encompass his mouth.

With a snake-like hiss, the vampire stretched out one thin, bony hand. His long fingers, tipped with yellowing, claw-like nails, grasped a huge cupcake topped with a high, swirling mound of almond-colored frosting.

He glided toward Jake almost as if he had wheels on his feet, and his pustule-like lips slid back, revealing a set of countless crooked, needle-like fangs. Although most of the windows were dark, a single panel—an image of the Christ raising two fingers in solemn blessing—glowed with a funereal blue-white light, the color of the waning moon. That light cast a sepulchral pallor over the vampire’s corpse-like face and made his wet teeth glisten.

“Our mont-blancs are on special this week,” the vampire whispered coldly. “They’re half off. Get them while supplies last.”

A sweet hint of chestnut met Jake’s nose.

His throat was dry, but he swallowed painfully. “I’m … I’m allergic to nuts, actually,” he rasped.

The vampire hissed again, and then suddenly lunged.

My writing process often involves listening to a single song over and over again. For most of the first volume, it was “You’re Mine” by Disturbed. For the vampire scenes in the second volume, I’m mostly listening to this:

‘Jake and the Dynamo’ TVTropes Page Updated

Whoever is managing the page for Jake and the Dynamo on TVTropes has recently added updates. The cover art for the published version is now posted, and the description has been updated to describe its publication history.

The writer states, “Originally released episodically as a web serial novel, it was eventually published in e-book form.” (It’s also available as a paperback, but hey.)

I see also that the list of tropes has been updated. For example, the villain Chai Square, the tea-drinking statistical troll, is listed as a Pungeon Master, because of his habit of making statistical jokes. (Magical Girl Sword Seamstress could fit this trope also for her sewing puns.)

Funny story about Chai Square: I came up with that character while I was writing up a report on an archaeological project and was doing some of the statistical analysis. I have a bad habit of mispronouncing chi square, which is how I came up with Chai Square’s name. The whole thing evolved from there.

As an added note, I’m pleased to see that, according to TVTropes, the novel qualifies for the trope of “Mood Whiplash,” even if it does not rise to the level of “Cerebus Rollercoaster.” As I’ve explained before, that’s pretty much my storytelling philosophy.

Merry Krampusnacht!

Gruss vom Krampus!

This is December 5th, the day before the Feast of St. Nicholas. Traditionally, in Austria and surrounding regions, December 5th is Krampusnacht, dedicated to Krampus, one of St. Nicholas’s companions.

Krampus greeting card featuring Krampus and child on a rocking horse

In some versions of the St. Nicholas legend, Santa Claus does not punish naughty boys and girls himself, but has an assistant do it. One such is the devilish Krampus, a hairy, horned demon with a protruding tongue, scourges naughty children with his bundle of birch branches or carts the particularly bad ones off to hell in the wicker basket on his back. Then Santa can deliver treats to the good children on the following day after Krampus has cleared out the riffraff.

Krampus pulls on a girl's braid

In the 1890s, after the Austrian government relinquished control of the postcard industry, colorful postcards featuring Krampus became popular. Most are darkly humorous depictions of Krampus tormenting children like he’s auditioning for a role in Made in Abyss.

A girl with a switch of her own looks to be ready for Krampus
The hunter becomes the hunted.

Krampus has enjoyed some popularity in American pop culture of late, mostly in the form of television references and low-budget horror films, though he also has one wide-release motion picture to his name:

‘Made in Abyss’ Incoming

I recently finished Made in Abyss. I’ll have the review up in a few days, but I want to give a reasonably thoughtful commentary on some of the controversy that surrounded this show, so my review might take a bit to polish. As a preliminary, I’ll just say that, whatever its source material might be like, the animated version is one of the best anime I’ve ever seen, up there with the likes of Vision of Escaflowne and Super Dimension Fortress Macross.

It should be watched for its background art if nothing else, but there’s also the soundtrack, the direction, the lovable characters … and the frontier medicine scene. If you’ve seen it, you know what I’m talking about.

I probably need to wait a few days to publish because if I talk about it too soon, I’m more likely to gush over it than review it properly. Just amazing.

But anyway, I think I should stop writing about it for tonight and go work on my book instead.