Most Popular Magical Girls on YouTube

This interesting graphic from VirgoX shows searches for different magical girl titles on the YouTube platform over time.

It is not surprising that Sailor Moon consistently holds the top spot. Other titles switch places, but the graphic remains, on the whole, consistent across the twelve years it examines. I am surprised that Puella Magi Madoka Magica didn’t move up higher after it made its appearance. I would also have expected more searches for Pretty Cure.

Not clear, however, is how many titles were examined. There are quite a few that VirgoX presumably didn’t look at.

Self-Publishing: The Legend Continues

I am planning to re-release Jake and the Dynamo in the near future and to release its sequel soon afterwards. To that end, I recently purchased the cheapest refurbished MacBook I could get so I could download and buy Vellum, the software generally agreed to be about the only program for formatting self-published books for all platforms, and also the only eBook editing software that isn’t aggravating to use.

It’s darn expensive, though. I’m thinking I might offer to format others’ self-published books for them to make back some of the cost. I offer reasonable rates.

Anyway, I still need to get new cover art, so there is still no projected release date. I am also revising the text, and though this might seem like excessive editing, I want people to get the best, and a somewhat different, product from what was released previously. Interior illustrations will be the same as in the previous version.

Gruss vom Krampus!

Today is the day before the Feast of Saint Nicholas, and that means it’s Krampusnacht!

For those of you who may not know, jolly old Saint Nick was a bishop of Smyrna, located in what is now Turkey. Originally, he was known for being magnanimous but not especially jolly. His role as gift-giver originates from his having saved young girls from prostitution by covertly giving gold to their parents. This tale cannot be verified, though there is no particular reason to doubt it. But in any case, because his saint’s day is in December, he became attached to Christmas and took on the role of Christmas gift-giver. Although known as “cruel in correcting,” many have seen fit to give him a companion to hand out punishments while he hands out presents.

At present, the most popular and famous of those companions (though he has several in many different countries) is Krampus, who comes primarily from Austria. Hairy, horned, and long-tongued, with one cloven hoof, Krampus whips naughty children or carts them to hell in his wicker basket. His official day is that immediately proceeding the saint’s day of St. Nicholas, his job being to get the bad kids out of the way before the saint comes through to reward the good ones. It is currently fashionable to speculate that Krampus has some pagan, pre-Christian origin, but the evidence for that, as far as I have been able to discern, is zip, zilch, nada. He appears instead to have cropped up simultaneously with various other companions of St. Nicholas such as Belsnickel and Hans Trapp.

Anyway, as Christmas has steadily drawn nearer, I find that my post on the various interpretations of the ending of the movie Krampus is doing a lot of traffic. I won’t repeat my thoughts from there but will encourage you to read that post if you are interested.

In any case, happy Krampusnacht!

Brief Musings on HTML Semantics

I have decided to invest in a copy of Vellum, the software that everyone agrees is the most hassle-free when it comes to preparing a manuscript for self-publishing. To use it, I also had to purchase a refurbished MacBook. In the near future, after I have some other things squared away, I’ll be looking into commissioning cover art, and after that, the first two volumes of Jake and the Dynamo will appear, probably within a month or two of each other.

I don’t have my new software yet because I’m waiting on the computer, but I wanted to try an experiment, which took me a surprising number of days to get ready: According to everything I have read, Amazon bases a self-publishing author’s profit from eBook sales on the size of the book’s file, meaning there is a motive to make the file as small as possible. To that end, I set out to create the smallest and cleanest Word document I could before converting it through Vellum, to see if it makes a difference in the final file size.

As it turned out, setting up this experiment took me a ridiculously long time, though future manuscripts I produce will be better for it, since I now have a clean, reusable template to work from. The DOCX files used by Word are infamous for “cruft,” that is, bloated code: If you manually change your font, for example, the default font is still lurking in the code of your document and will get repeated in every paragraph you make. The only way I know of to fix this is to edit the template and set up Word’s so-called “styles” with all the formatting changes you’re planning to use throughout the document.

Basically, I created a new template, copied and pasted the entire plain text of the first volume of Jake and the Dynamo, and reformatted it by hand. That took … longer than I expected. But the end result was a DOCX file half the size of the original.

DOCX files, I have learned, are actually built on XHTML, eXtensible Hypertext Markup Language, which is closely related to the HTML on which webpages are built. Some of Word’s “styles” take advantage of HTML tags, and at least a few of these are important for accessibility and proper document structure. Most importantly, all chapter headings in a manuscript should be made with actual heading styles, both so you can automatically generate a table of contents in the finished product and so the document will be navigable to anyone using assistive technologies such as screen readers. Using headings on web pages is important for the same reason, which is why I’ve been going back to edit some of my longer posts.

While I was rebuilding my manuscript, I got to thinking about other HTML semantics. One goofy feature of HTML is that, basically as an artifact of its developmental history, it has at least three (that I know of) ways of marking text so a user agent will render it in italics. Originally, there was the <i> tag, which just meant italic. But over time, the decision was made that HTML should be purely a semantic language while visual appearances should be handled by a separate markup language, CSS (Cascading Stylesheets). So the current HTML spec reimagines the <i> tag as standing for “idiomatic,” denoting text that is in a different mood or voice. The spec gives the concrete examples of names of ships or taxonomic designations, which are conventionally rendered in italics in English.

Now, in addition to the already-existing tag, there is <em>, which is also rendered in italics by default, but which denotes text that is emphasized. Then there is <cite>, which user agents also render in italics by default, but which is for titles of creative works—even though not all titles should be italicized.

Microsoft Word, of course, allows you to put text in italics while you’re typing, but it also has “emphasis” as one of its default styles. With a little fiddling around, I figured out, sure enough, that pressing the italic button adds <i> tags to the document whereas the emphasis style uses <em>. So, get this, I actually differentiated between the two in my document, using emphasis only for emphasized words and using standard italics for conventions and titles (there is no way, as far as I can tell, to insert a <cite> tag in a Word document).

Now, why would I do this? For my own satisfaction, mostly, but also because I want to see if it carries over to the new file types when I convert.

But then there is another question—is there actually any point to having these different tags? I have read long, drawn-out discussions among web developers over whether a particular instance of text should have <i> or <em> on it, but as far as I can tell, it makes no practical difference. Visually, they look the same, which means they can only be of importance to machines, but the machines that might distinguish between the tags, don’t. Google has said plainly that it does not parse the text of web pages finely enough to care which of these two tags is used, and if Google doesn’t care, it’s unlikely that other search engines do. Screen readers, which read web pages out loud to the visually impaired, could potentially read the marked-up text in a different tone of voice, but according to what I have read, few if any of them actually do. In other words, <em> designates emphasis, but that emphasis is not reproduced verbally.

On top of that, content creators, such as bloggers, are mostly ignorant of these distinctions: They simply write using an editor designed to resemble a word processor, and they hit the italics button when they want italics. In most online editors, that means an <em> tag, which is used indiscriminately for the names of ships and paintings and books as well as for emphasis.

On top of that, the distinction between the tags is ridiculously ambiguous, as evidenced by the lengthy arguments over proper use. The spec for the <i> tag is basically a frantic attempt to justify its continued existence.

But, in any case, I’ll let you know if, in the near future, I am the proud owner of the most semantically correct eBook on the market.

Back in Action

Sorry I’ve been so quiet of late. I do not have a lot of content at the moment simply because I’ve been busy with other things. I’m in the midst of a time-consuming project, but I hope that, once I’m done with it, I will have some definite updates on the release of both volume 1 and volume 2 of Jake and the Dynamo. Basically, I’m working on the getting these books back to market after my publisher had to close its doors.

I’ve also managed to find a little time to start watching My-HiME again. I planned to make that my next review, but then other things intervened and my watching of it went on hiatus. I should, however, be able to talk about that and a few other titles in the near future.

Writing ..

Spending the evening writng. That is all.

Anime Review: ‘Gosick’

This is another review I originally produced for a different site. At the time I wrote it, I was considerably less familiar with anime and anime subculture, so I have edited it to give (I hope) some better insights and context. At the time I originally watched it, the series was streaming on Crunchyroll. While no longer available on that service, it has found a home at Funimation.

Gosick, directed by Hitoshi Nanda. Starring Aoi Yuki, Takuya Eguchi, and Hidenof Kiuchi. Studio BONES, . 24 episodes 25 minutes (approx. ). Rated TV-MA.

An oddball anime with an oddball name, Gosic is a 24-episode series based on a set of light novels by Kazuki Sakuraba. Kalium at MegaTokyo described it back when it first appeared as more-or-less the best anime series of , and though it has some obvious flaws, it is overall quite good. Gosick is an attempt to blend four genres: Gothic horror, murder mystery, political thriller, and a more-or-less typical high-school romcom likely deriving inspiration from Toradora!

Victorique and Kujo stand in a graveyard.
Trying to be moody.

These four genres jostle each other on stage and frequently fail to get along, and the show’s well-meant attempt at Deep Meaning™ ultimately falls flat, but the visuals are consistently beautiful and Gosick succeeds exactly where it might be first expected to fail: Despite its use of shop-worn tropes, it is a well-crafted love story. Though weak in some ways, it accomplishes its main goal and does it with an unusual amount of class.
Continue reading “Anime Review: ‘Gosick’”

The State of the eBook Exploration

So, I’ve been exploring the subject of how to get into self-publishing and generate my own professional-looking books. General agreement is that the best software for doing this is Vellum, though that has both a prohibitive price ($250 for the full package), and it only runs on a Mac.

Besides that, there is a slew of open-source programs that, altogether, will probably accomplish the same tasks but with considerably more difficulty for the end-user.

Adding to these difficulties, my laptop is now extremely out of date. I’m still running Windows 7 and much of the software I would like to try will only run on Windows 8 or later. This includes Amazon’s free Kindle eBook generator.

When I started exploring this, I naĂŻvely thought at first that I might not have too much difficulty. As it turns out, eBooks are packages of CSS and XHTML files. I saw some authors complaining that most of the software aside from Vellum requires some coding knowledge, and I thought to myself, “Hold on, I can write CSS and HTML.”

So I took an eBook generated in Vellum and pulled it open using an open-source EPUB editor called Sigil, and I didn’t have too much difficulty figuring out how it was built. Not only that, but I thought to myself that, by editing the code directly, I could probably create a much cleaner, more compact file with fewer <div>s and without all the unused CSS rules. I could stick to readable web-safe fonts too. Small file size, after all, is important to sales and royalties since Amazon takes its slice based on file size.

So I started editing the first volume of Jake and the Dynamo in Sigil, and while I could indeed make a slim file with a lot of the same cosmetic features typical of a professionally generated eBook, it was incredibly time-consuming, basically requiring me to insert and edit each paragraph individually (mostly to make sure the italics were in the right places). With a judicious selection of web-safe font stacks, the existing images, and some proper HTML semantics, presto, the result was what you see in the header.

The result looks good in Sigil. But that’s the important part—in Sigil. I opened it with another program and started seeing problems, such as my drop-caps wandering all over the page (and I don’t know why; the CSS for my drop-caps is very similar to how WordPress does it).

But the biggest mess came from Amazon, which insists on a proprietary filetype, MOBI. I made the conversion to MOBI using Calibre, which I can only use in an older version because the latest doesn’t work on Windows 7, and the result was a complete mess. Most especially, either the MOBI filetype or Calibre (not sure which) doesn’t like a lot of my CSS; the kind of stuff I’d do on the web to make sure images resize while keeping their proportions, or to stylize certain tags, apparently doesn’t work in Amazon’s eBooks.

I’ve been needing for some time to update my computer, and that need has become more apparent over the last few days as I’ve repeatedly tried to run software that simply won’t run on my antiquated system. What I’m thinking at present is that I might go ahead and shell out for a refurbished Macbook and a copy of Vellum, and then continue to plod along with my current system for everything else as long as possible. Meanwhile, I’ll add a laptop-update fund to the monthly budget.

Update on the State of ‘Jake and the Dynamo’

I have all but finally decided to self-publish Jake and the Dynamo, which was my original intention with the series anyway. This is admittedly a self-own, but I’m having a hard time getting a publisher to acknowledge my existence—and I don’t mean accept my manuscript; I really mean acknowledge my existence. I think something serious has happened to the industry in the last decade because I used to be able to collect polite, pre-formatted rejection slips. Now I can’t even get a “you suck so don’t write to us again.”

I’m currently swimming in a bewildering array of advice, much of it obviously bad or exploitative, about how to move forward with this. I will certainly have to commission cover art, for which I have some leads, and also format the manuscript. I’m assuming the latter task will require learning some new software, though I’m unsure of that as of yet. My former publisher used Vellum, I think, but that’s only available on Mac, and I don’t have one. At the very least, I know something about web and document accessibility, which will probably help.

So that’s what I’m up to right now, which is part of why the content here is so slim. I really want to get the first two volumes of Jake and the Dynamo available in the near future; the first needs republished, and the second needs to be published for the first time. I am in the midst of the draft of the third. I don’t want to be too hasty and have a bad roll-out when a little more legwork could produce a better product (and more sales, of course).

Rag & Muffin is currently on an editor’s desk, and the requested wait period has not closed, but considering how things are going, I expect that it will (about three months now) without my existence having been acknowledged. At that point, I will consider self-publishing it as well, though I might attempt more submissions first.

I gotta work tonight …

I’m starting to explore the possibilities of self-publishing, so I’m spending tonight looking into the subject and gathering information on what steps to take. I’ll check in later with some some reviews and stuff.