Sugar Sugar Rune, volumes 4-8. Story and art by Moyoco Anno. Translated by Kaya Laterman. Del Rey Manga (New York), 2007. Rated Y (Ages 10+).
I previously reviewed the first three volumes of this series. Because this was adapted and translated by Del Rey, I speculated that a re-release might come from Kodansha Comics, since Kodansha more-or-less replaced Del Rey Manga. I learned subsequently that the rights now actually belong to Udon Entertainment, which planned to begin releasing the series sometime in late 2016.
That didn’t happen, so the fate of the English translation of Sugar Sugar Rune is currently up in the air. Since the series has been released in Japanese as a colorized web comic, I’m hoping for a colorized English version, but that may be asking too much. Also still in need of a release in North America is the anime, the English version of which, as I understand it, only aired in the Philippines.
More than once, I have seen Sugar Sugar Rune touted as one of the greatest of the “cute witch” magical girl stories—a reputation it probably deserves. But, perhaps because the series was largely ignored during its original North American release, I think it’s also fair to say that some of its fans have over-sold it. Is it good? Yes, but it’s not that good. Is it “the greatest fantasy comic of the last five years,” as Anime News Network claimed? Well, I’d have to survey most of the fantasy comics from the five-year block before its publication to form an opinion on that, but I doubt it. Yes, it’s a fine little manga, but calm down. Continue reading “‘Sugar Sugar Rune,’ Volumes 4-8”
You say Tomoeda. I say Tomada. Let’s call the whole thing off.
We come now to the final day, the final hate, the final boss, of Ten Things I Hate about Cardcaptor Sakura. Fiery rage has consumed my soul and burned all to ash; in the end, nothing remains … except my hate.
Just look at that picture up at the top there. Look at the way she’s threatening us with that giant, winged claw hammer. What is she planning to do with that thing? It’s all gonna end in tears when she puts an eye out.
That’s how it goes. Magical girl battles are all fun and games until somebody loses an eye. Then they’re awesome.
Anybody else ever notice how Cardcaptor Sakura is always flipping us off? It’s almost as if Clamp is trying to tell us something …
Oh well. I guess it’s no worse than that guy in Sailor Moon who’s always flipping us off.
Anyway, today was to be our last entry in the Ten Things I Hate about Cardcaptor Sakura. However, real life caught up with me today and I didn’t get the post completed, so the hate will have to continue into overtime.
That means you get more hate for the same price.
The final post, the final hate, is still to come. Expect it when you least expect it.
Today, in our ongoing series of Ten Things I Hate about Cardcaptor Sakura, we come at last to something I’ve been alluding to all this while. Brace yourselves; we’re now diving headfirst into the cesspool.
Number 2. All the Child Molestors.
One thing is clear from reading comics by Clamp: the Clamp ladies have never met an inappropriate teacher-student liaison they didn’t like. They’ve got so many teachers chasing students that reading their manga can feel a lot like perusing a police blotter in an American newspaper.
Let us continue with Ten Things I Hate about Cardcaptor Sakura. Today’s post again necessarily contains spoilers.
Number 3: The Creeptastic Mid-story Plot Twist.
Midway through the story, right at the end of the sixth volume of the Cardcaptor Sakura manga, is a little revelation exposited across two pages. These two pages had a strong effect on me when I read the comic, so I was surprised to see that these details were deleted from the anime—which then had to wedge in references to them later, awkwardly, to explain certain things. Continue reading “Why I Hate ‘Cardcaptor Sakura’ (and you can, eight!)”
We continue yet again with Ten Things I Hate about Cardcaptor Sakura. Today’s post, like yesterday’s, contains some spoilers.
Here we go:
Number 5: Toya Kinomoto.
Toya is Sakura’s big brother. He’s in high school. He works lots of part-time jobs. Sakura squabbles with him like a little sister. Like all magical girls, she has trouble getting up on time in the morning, so she has to dress quickly and wolfs down her breakfast; he makes fun of her for stomping around in the morning, and he calls her a “kaiju.” She dreams of a day when she’ll be as “tall as a telephone pole” and able to “squish him flat.”
Although he teases her, he’s quite protective. He insists that nobody gets to make fun of Sakura except him.
We now continue with the Days of Hate begun on Monday. I sent my old and decrepit computer in for maintenance, and it’s no longer overheating on me, so I think they managed to get my issues fixed … but now all my image files have been renamed for some reason, so I can’t find my screenshots …
Well, anyway, we’re back with more of Ten Things I Hate about Cardcaptor Sakura.
Number 7: Freakin’ Tomoyo.
Seriously. Freakin’ Tomoyo.
I had an argument with myself over where to place Tomoyo on this list. Tomoyo is a psychotic little freak who belongs in a nut house, but after some consideration, I concluded that some of the things I want to talk about might not make sense if I don’t discuss her ahead of time. Besides that, I realized I don’t really hate Tomoyo herself; I just hate what Clamp did to her.
Two days ago, we kicked off the Ten Days of Hate with a discussion of Cardcaptor Sakura, the hugely popular magical girl franchise. Then we followed that up with further hate.
Now we continue with more of Ten Things I Hate about Cardcaptor Sakura:
Number 8: Lame Magic.
Supposedly, Clow Reed, the creator of the Clow Cards, was the bestest wizard ever, and he supposedly encapsulated more-or-less all of his magic in the cards that Sakura steadily collects across the series. But there’s a problem—
Yesterday, I discussed the Cardcaptor Sakura franchise and explained why I find its heroine dull and uninteresting. Today we continue with Ten Things I Hate about Cardcaptor Sakura.
Number 9: The Characterization.
Many of the characters in Cardcaptor Sakura are supposed to be fourth-grade or fifth-grade children, all around ten years of age.
Not a one of them, and I mean not a single one, behaves anything at all like any real kid I’ve ever met. Ever.
As I mentioned in my lengthy review of Shugo Chara!, this is a common problem in manga and anime, so much so that there is oftentimes no apparent difference between kids who are supposed to be in high school, middle school, or elementary. I was surprised to learn halfway through Fairy Musketeers that the characters were supposed to be teenagers instead of prepubescent children, and I was surprised to learn halfway through the second volume of Sugar Sugar Rune that the characters were supposed to be prepubescent children instead of teenagers. Not only because of the exaggerated character designs typical of these artforms, but also because of what is often superficial or sloppy characterization, it can be hard to tell the difference. Continue reading “Why I Hate ‘Cardcaptor Sakura’ (and you can, three!)”