‘Son of Hel’ Sneak Peek

I have a lot of work to do to produce Son of Hel, my next project. Although the story is going to be an action-focused tale of Krampus, the Christmas demon, I want to do it justice in spite of the inherent silliness. My goal is to create a fully realized culture for the North Pole where Santa Claus lives, and to integrate as much existing folklore as I am able.

To that end, I am currently sitting here with stacks of books on folklore and making notes about various kinds of fairies from different cultures in order to integrate them into the society of elves at the North Pole. I’ve also been discovering the various companions of St. Nicholas, figuring out which ones I can combine into a single figure and which ones I must make separate characters.

Although they are of rather recent origin, I am also determined that Santa’s eight-plus-one reindeer will figure in the story. The following is a draft of how they appear thus far. I originally intended this scene to be a raucous party, though the result (at least at present) is surprisingly subdued. That may change in later drafts.


In a few hours it would be the fifth of December, the eve of what those at the North Pole had come to call the First Run. Mistakenly but understandably believing Nicholas to be dead, the universal Church had long ago chosen December sixth as his saint’s day, so that was the first day he delivered toys to children. Compared to Christmas Eve, St. Nicholas Day was a small, brief run with few deliveries, requiring no more than a few hours. But it helped Nicholas and the elves ensure that the sleigh and its accoutrements were in working order and ready for the Big Run, when he delivered toys to children all over the world. The First Run had a high margin of error; it was a good time for troubleshooting.

But the fifth of December, the day before, was not St. Nicholas’s day. It was a dark day, a day of fear, and it belonged to someone else, someone decidedly less jolly—and considerably less generous.

As evening came on, in anticipation of the First Run that would begin in twelve hours, Alpha Squadron congregated in the stables. This squadron consisted of the eight reindeer who had achieved the highest marks on the annual flight test, and for almost a century, the same eight reindeer had held this honor.

In scientific terms, they were Arctic reindeer, also known as Greenland caribou, or Rangifer tarandus eogroenlandicus, and those in the stables of Saint Nicholas were the last of their kind, for their subspecies had been otherwise extinct for almost four decades. It was thanks to the magic of the elves that they had powers of speech and flight as well as unusually long life. The Black Precipice of the uttermost North was a haven for them, just as it had become a haven for the last of the fay folk whom an encroaching modernity had driven from their woods and meadows.

Contrary to popular depictions, they were not tiny. They were huge, muscular brutes with shaggy coats, thick shoulders, and wide, blunt muzzles. Most were bareheaded, for they had shed their antlers the month before once their rut had ended. The only exception was Vixen, the one cow who had scored high enough for Alpha Squadron. Though considerably smaller than the others, Vixen’s tall, sweeping antlers lent her certain air of sober majesty. She would keep her antlers until spring.

In a dim corner of the stable, Comet, formerly the squadron’s captain, brooded atop a mound of hay. Although this was supposed to be a time of revelry, he was silent, and his hard expression had its effect on the rest of the squadron: The others spoke in low voices, giving Comet occasional, uneasy glances. Vixen, somewhat apart from the rest, gazed at him steadily for a minute before she shook her head and sighed.

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‘Rag & Muffin’ Sneak Peek

Featured image: Character designs from Magical Girl Ore.

This is a section from the draft of Rag & Muffin, my next novel to appear after Dead to Rites. This passage may or may not be in the final version in this form:

Only one spot in Godtown did not swell with the cosmic beat nor touch the underside of heaven, but remained dark—a mere part of earth or perhaps of something lower than earth. That was the Talbot Refinery, which stood near the Green Line on the edge of the Elysian-occupied West End.

In the refinery, workers—mostly outcaste marjaras unable to find decent jobs anywhere else—committed the worst blasphemy known in this world: They took the Tuaoi Stones from the mines with which the Elysians had profaned the sacred Vindhya Mountains, and they performed unspeakable deeds to alter those pure crystals into something base and ignoble in order to feed them to the Elysians’ demon-possessed automata.

More powerful than any mundane science, the magic called Runetech had made the Elysians the masters of the world, but the ghosts in their machines hungered for profaned Tuaoi Stones. Thus, in the midst of the holy city, the Talbot Refinery was an outcrop of hell, and it alone could resist the flurry of religious ecstasy and exultation that beset the rest of Godtown every morning.

Just as Meru closed, Talbot’s portal, like a mouth of the underworld, opened to swallow a long string of buses containing the workmen for the morning shift. Like giant jacks dropped from the sky, anti-tank caltrops flanked the road leading to the refinery’s heavily fortified entrance. In a booth at the gate, an underpaid and overworked human babu did his best to check the workers’ and drivers’ papers, which were handed to him—with much shouting and babbling—through half-opened windows along the buses’ sides.

Looming over it all like a colossus and casting its stark and menacing shadow across this scene was an enormous machine, vaguely man-shaped. Thick, bulky armor enclosed it, and it bristled with weapons ranging from conventional autocannons and missile-launchers to rune-powered accelerators and psi-blasters. Every once in a while, one of the intricate symbols carved into the machine’s armor glowed blue or green, letting all below know that it was alive—and that it was watching them. Somewhere deep in its guts, dangling from anti-shock suspensors, was a thing that used to be human.

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Brief Update on ‘Dead to Rites’

Just got word from my editor about progress on Dead to Rites, the next volume in Jake and the Dynamo.

My publisher is currently rushing some things to get ready in time for Dragon Con (August 29 to September 2), which has pushed my book release back a bit. I’m crossing my fingers for September, but we’ll see.

Speaking of which, I had a sort-of chance to make it to Dragon Con this year, but couldn’t take the time from work or excuse the expense on the plane ticket, but I am hoping to make it in future years, so at some point I may show up there with other members of the Superversive stable.

Rag & Muffin Continues; Art; And Other Stuff

Featured Image: “Magical Girl Uraraka” by Hannahsrrex.

I haven’t posted for two weeks, but I have reasons or at least excuses.

Partly, the more I get settled into being a published author with a book out and two on the way, the less I have time (or interest, even) in watching and reading other stuff to review. This is perhaps inevitable.

Also, my computer is on the fritz. I’ve long known that this little laptop, though it has been a good machine all things considered, is well past its sell-by date. Recently, I managed to fry its keyboard with spilled beer (yes, really) so I can no longer type on it without a peripheral keyboard.

Also, it has stopped talking to my printer for reasons I’ve been unable to figure out. It’s possible the printer itself is to blame, but I doubt it, since all its diagnostics claim it’s working just fine and communicating with the network just fine. It’s just that the computer can’t see it. Turning off all the firewalls and antivirus software doesn’t appear to help, and beyond that I don’t know what to do about the problem. So I effectively have no printer, which will become a problem in the near future when I get back the edit requests for my last submission.

Basically, the computer needs replaced, and has for a few years, but I don’t really have the money for it, especially since I just had to replace my car, which I totaled in a flood. Part of my disappearance here came from the time it took to make sure everything was backed up.

Rag & Muffin Update

Speaking of which, as I’ve mentioned before, Rag & Muffin is finally out of the house. I expect it to need more editing before it’s ready to publish, but it is at least underway. It has taken an embarrassingly long time to get that novel completed and submitted, but I have reasons/excuses for that, too—it is my first novel, though I have two others preceding it to publication, and a first novel always takes the longest. It also took an enormous amount of rewriting and reshaping, partly for reasons I don’t say in public. Although its basic premise—”Fancy Nancy in Dungeonpunk India with guns and Kung fu”—is quite silly, it’s a very personal novel in some ways and was difficult to finish. The earliest drafts were quite lurid; they were torturous to write and I’m glad to have them behind me, but I’m comfortable with the content in this penultimate version I recently sent to my editor, even if it contains more than my usual number of cuss words.

Next Project

I am trying to peel myself away from meddling with Rag & Muffin while my editor has it and instead turn my attention to Son of Hel, which will require more research to do it justice.

I’ll do a whole post on this in the near future, but one thing I will say is that, as I look at the various interpretations and reworkings that have been done of Santa Claus legends, I’m surprised at how few modern interpretations—none of them that I know of—want to connect Santa Clause back to the original St. Nicholas. Since nobody else wants to do it, I figure that’s one contribution I can make. My plan is to conflate as many characters and concepts of Santa lore as possible, so the monk who was bishop of Myra has also become the reindeer-breeding gift-giver with an army of elves in his workshop, accompanied by several interesting companions ranging from a Russian snow maiden to a half-demon to a murderous butcher.

‘Rag & Muffin’ Completed and Off to My Editor

I just now finished revising Rag & Muffin. I have submitted it to my editor, so it’s out of the house for the time being.

Now I can get on to the research phase for Son of Hel. Yay!

Rag & Muffin
Phase:Revising
Due:5 years ago
100%

‘Rag & Muffin’ Progress Update

The revision of the book is finished except for one chapter, which contains the action sequence that was giving me trouble.

Once that is done, it’s ready to go to the editor. Then it’s final edits and submission.

Rag & Muffin
Phase:Revising
Due:5 years ago
95%

‘Rag & Muffin’ Progress Update

My next book, Rag & Muffin, is coming along well. I didn’t make the goal (big surprise) I had of finishing it last weekend, mostly because some of the action sequences at the climax are in heavy need of rewriting.

The rooftop chase scene with the cannnibal cyborg only needed light rewriting, and the sword battle with the demon-possessed robot armed with giant chainsaw-scissors was mostly okay, as was the wire-fu knife fight—but the running gun battle with the robot soldiers of the Chinese mafia is a complete mess.

As some of you know, I was working on Rag & Muffin even before I wrote Jake and the Dynamo. The stories bear some similarities in that both are about fourteen-year-old boys tagging along after violent, superpowered girls, but Rag & Muffin is considerably more bloody and brutal, and less funny.

So what took me so dang long to get this ready to publish? There are several reasons including some I don’t divulge to strangers on the internet, but the least private reason is that I needed to develop and polish some writing skills before the book could even be in a condition to publish.

Now that I have one novel out and another off to the publisher and coming out in a few months, finishing Rag & Muffin feels easy. Yes, it needs some work, but finishing it is no longer the insurmountable difficulty it once appeared to be.

Rag & Muffin
Phase:Revising
Due:5 years ago
75%

‘Pretty Cure’ Holds a World Record

This is kind of old, but it escaped my notice at the time. Apparently, the film Hug! Pretty Cure, Futari Wa Pretty Cure the Movie, now holds the Guinness World Record for most magical girl warriors in a single film, as reported on the Guinness site.

They accomplished this by stuffing every single Cure into the movie, a total of fifty-five. To acknowledge the record, Guinness arbitrarily required that each girl had to have dialogue and participate in combat.

This is such an oddball record, it’s unlikely that any other movie will beat it—unless it’s another Pretty Cure Film.

Update

In other news, I have decided I am going to make a more ambitious goal for the completion of the revision phase of Rag & Muffin. I believe it is possible to have it done by the end of this weekend.

I just finished revising chapter ten. There are twenty chapters. From here on, the book will need more work, but that’s still only five chapters a day.

Once I finish this, I can send it out the door to my editor and get to work on the research and outlining phase of Son of Hel, which I’m quite looking forward to.

Rag & Muffin
Phase:Revising
Due:5 years ago
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‘Rag & Muffin’ Now Underway!

I am now revising the draft of Rag & Muffin, the next novel on my list. The early chapters need the least work, so it will go quickly for a while, but will become slower later on.

I’m giving myself two months to have a workable draft followed by a month each for editing and proofing. The final proofing will be after my editor sees it, so that self-appointed deadline will have to be flexible.

Anyway, a highly optimistic date for final proofing and submission will be about the beginning of November.

Rag & Muffin
Phase:Revising
Due:5 years ago
13%

‘Jake and the Dynamo: Dead to Rites’ Submitted!

I have just finished the final edits (on my end) of Dead to Rites, the second volume of Jake and the Dynamo.

As usual, the process took me (embarrassingly) longer than I predicted. Although this phase was supposed to be just proofreading for final edits, I ended up deleting a scene, fixing some minor inconsistencies, shuffling a few other scenes around … you know how it goes.

Nonetheless, this book required less extensive reworking than the previous one did, which means I was able to dedicate most of this time to the nitty-gritty points of grammar and style—and that means a better experience for the reader.

If the publishing process is the same as last time, the galley will appear on my desk just once more, asking for my approval after it goes through a final round of someone else’s edits. Then my work on it is done.

I’m jumping from this straight into my next project, which is producing the final, submission-worthy draft of Rag & Muffin. I previously intended to work on my Christmas novel Son of Hel first, but after I realized how much research it will require, I decided to finalize this other novel that’s already written instead.

If things go as planned, I will have two books out this year and two out next year. That’s not exactly pulp speed, admittedly, but it is at least better than average.

Jake and the Dynamo: Dead to Rites
Phase:Proofing
100%

Roffles Lowell is also working on the illustrations. I couldn’t resist, in the header, showing this detail from one of the pictures he’s sent me (I will have to struggle to resist showing them all before the book is published). This is not the first time he’s drawn Dana Volt in her non-magical form, but I think it’s the first time he’s drawn her as such for a book illustration, and I love it.