We continue yet again with Ten Things I Hate about Cardcaptor Sakura. Today’s post, like yesterday’s, contains some spoilers.
Here we go:
Number 5: Toya Kinomoto.
Toya is Sakura’s big brother. He’s in high school. He works lots of part-time jobs. Sakura squabbles with him like a little sister. Like all magical girls, she has trouble getting up on time in the morning, so she has to dress quickly and wolfs down her breakfast; he makes fun of her for stomping around in the morning, and he calls her a “kaiju.” She dreams of a day when she’ll be as “tall as a telephone pole” and able to “squish him flat.”
Although he teases her, he’s quite protective. He insists that nobody gets to make fun of Sakura except him.
We now continue with the Days of Hate begun on Monday. I sent my old and decrepit computer in for maintenance, and it’s no longer overheating on me, so I think they managed to get my issues fixed … but now all my image files have been renamed for some reason, so I can’t find my screenshots …
Well, anyway, we’re back with more of Ten Things I Hate about Cardcaptor Sakura.
Number 7: Freakin’ Tomoyo.
Seriously. Freakin’ Tomoyo.
I had an argument with myself over where to place Tomoyo on this list. Tomoyo is a psychotic little freak who belongs in a nut house, but after some consideration, I concluded that some of the things I want to talk about might not make sense if I don’t discuss her ahead of time. Besides that, I realized I don’t really hate Tomoyo herself; I just hate what Clamp did to her.
Two days ago, we kicked off the Ten Days of Hate with a discussion of Cardcaptor Sakura, the hugely popular magical girl franchise. Then we followed that up with further hate.
Now we continue with more of Ten Things I Hate about Cardcaptor Sakura:
Number 8: Lame Magic.
Supposedly, Clow Reed, the creator of the Clow Cards, was the bestest wizard ever, and he supposedly encapsulated more-or-less all of his magic in the cards that Sakura steadily collects across the series. But there’s a problem—
Yesterday, I discussed the Cardcaptor Sakura franchise and explained why I find its heroine dull and uninteresting. Today we continue with Ten Things I Hate about Cardcaptor Sakura.
Number 9: The Characterization.
Many of the characters in Cardcaptor Sakura are supposed to be fourth-grade or fifth-grade children, all around ten years of age.
Not a one of them, and I mean not a single one, behaves anything at all like any real kid I’ve ever met. Ever.
As I mentioned in my lengthy review of Shugo Chara!, this is a common problem in manga and anime, so much so that there is oftentimes no apparent difference between kids who are supposed to be in high school, middle school, or elementary. I was surprised to learn halfway through Fairy Musketeers that the characters were supposed to be teenagers instead of prepubescent children, and I was surprised to learn halfway through the second volume of Sugar Sugar Rune that the characters were supposed to be prepubescent children instead of teenagers. Not only because of the exaggerated character designs typical of these artforms, but also because of what is often superficial or sloppy characterization, it can be hard to tell the difference. Continue reading “Why I Hate ‘Cardcaptor Sakura’ (and you can, three!)”
When I discuss magical girls, I have certain go-to titles I like to mention as examples. Sailor Moon is the quintessential superheroine magical girl series. Revolutionary Girl Utena is the quintessential pretentious art-house magical girl series. Princess Tutu is the quintessential unexpectedly awesome magical girl series. Shugo Chara! is the just-plain quintessential magical girl series.
A few weeks back, somebody asked me to elaborate on exactly what I dislike about the Cardcaptor Sakura franchise. I had thought about writing a post on the subject for some time … but realized I couldn’t fit it all in one post. So you get ten. For the next ten days or until I get bored, this is Ten Things I Hate about Cardcaptor Sakura … except I could only come up with nine, so we’re going to skip number four as a way of honoring Japanese superstition.
Of course, to be fair, I should probably mention that when I say I hate it, I mean I hate it with that special kind of hatred known only to fanboys. One of the writers of Battlestar Galactica, I forget which, once mentioned in an interview that a fan wrote him to say, “I hate this episode. I’ve watched it eight times, and I hate it more every time.” That’s fanboy hatred. I hate Cardcaptor Sakura, a magical girl title, with the hatred of a magical girl fanboy.
A few months ago, I got into a discussion about Sakura with some dude on the Internet. He was not himself a magical girl aficionado, and he said that he had expected Sakura to be cloyingly saccharine and sappy, but was surprised to find it a competently produced and likable coming-of-age story. I replied to him that I thought Cardcaptor Sakura was sick and wrong, and that after I finished reading its first of two story arcs (comprising the first six collected volumes of the manga), I felt as if I’d just been groomed by a child molestor.
In the midst of Revolutionary Girl Utena, Kunihiko Ikuhara’s magnum opus, there are a number of screwball gag episodes dedicated to the side character Nanami, a spoiled rich girl who laughs inappropriately, a requisite character in shoujo anime. In one of the most fascinating of these gag episodes, Nanami awakens one morning to find an Easter egg in her bed. Convinced that she must have laid it, she first tries, from embarrassment, to hide its existence, but on account of some misunderstood conversations, she eventually comes to the conclusion that egg-laying is normal for girls. In keeping with the coming-of-age theme of magical girl shows in general and Utena in particular, the egg becomes over the course of the episode a multivalent symbol by turns representing puberty, menstruation, childbirth, and child-rearing.
This one-off episode apparently became the inspiration for another whole magical girl franchise, Shugo Chara!, by Banri Sendo and Shibuko Ebara, the two-woman manga-ka team known collectively as Peach-Pit. They got their start with works aimed primarily at a male audience: the little-known harem comedy Prism Palette, the raunchy magical girlfriend series DearS (which is sort of like Chobits with more bondage), and an action series called Zombie-Loan. In the U.S., probably their most famous title is Rozen Maiden, an unusually classy harem series that’s something like a cross between Pinocchio and Highlander with a veneer of Gothic horror. It’s spawned Internet memes and a modest cult following.
Shugo Chara! was Peach-Pit’s 2006 foray into shoujo manga, appearing in Nakayoshi, a magazine aimed primarily at girls aged nine to fifteen. This same magazine has hosted such titles as Sailor Moon, Sugar Sugar Rune, Saint Tail, and various adaptations of the Pretty Cure franchise. So it’s a magical girl powerhouse. Continue reading “‘Shugo Chara!’”
Sailor Moon S: Part 1 (Season 3). Directed by Kunihiko Ikuhara et al. Written by Sukehiro Tomita et al. Story by Naoko Takeuchi. Starring Kotono Mitsuishi, Michie Tomizawa, and Aya Hisakawa. Toei Animation, 1994-1995. North American re-release by Viz Media and Warner Bros., 2016. 19 episodes of 25 minutes (approx. 475 minutes). Rated TV-14.
Long have I desired to discuss Sailor Moon S with you, mostly because I get to write the word “Uranus” over and over again. I highly recommend that you take every sentence in this essay containing the word “Uranus” and read it aloud, preferably in the presence of someone who doesn’t know the context. Continue reading “Anime Review: ‘Sailor Moon S,’ Part 1”
Format war can have a silver lining. As Blu-ray continues to replace DVDs, it seems some old anime series have come back to the market this year. I haven’t been keeping a super-close eye on this like a fanatic, so when I say “back to,” I might be speaking loosely in some cases, but still.
I only regret that, due to life circumstances, my current anime budget is zero. If it weren’t, I’d snatch these up. So, just to be clear, this is a list of stuff I want, not stuff I’m reviewing. I believe strongly in compensating artists for their work, so I don’t do bootlegs, and that has the unfortunate effect of putting a lot of gaps in my first-hand anime knowledge. I’m passing on the news of these titles because a few of these are works I tried to acquire legitimately in the past, but failed to do so. For that reason, their re-release is notable.
This is a handful of arbitrarily selected “want to see” titles based solely on my personal taste. (NOTE: You may need to turn off Adblock to see the images.)
Featured image: Totally a real screenshot from the film and not some crazy cosplaying by GeshaPetrovich.
Sailor Moon R: The Movie, directed by Kunihiko Ikuhara. Screenplay by Sukehiro Tomita. Starring Kotono Mitsuishi, Aya Hisakawa, and Michie Tomizawa. Toei Animation, 1993. In limited release from Viz Media, 2017. Dubbed. Runtime 78 minutes. Rated PG.
We’ll get to the meaning of the deliberately provocative clickbait title of this review in a moment. But first, let’s cover the preliminaries.
So, I just saw Sailor Moon R: The Movie, the first North American theatrical release of a Sailor Moon film, courtesy of Viz Media, which now owns the North American distribution rights. The film originally came out in 1993 and runs a mere hour and eighteen minutes. I hope some other showings around the country are more successful than the one I attended, or Viz Media is going to go broke, and I don’t want them to go broke until they finish releasing the series. Continue reading “Is ‘Sailor Moon R: The Movie’ Too Gay?”