(And, as a courtesy, I mention that the language here is Not Safe for Work, though if you have a job where you can read magical girl blogs while you’re working … I want your job. No, seriously, I want your job. Where do you work? If my boss caught me reading magical girl blogs, I’d be out on my ear.)
Since this blog is going full Utena until further notice … no, I’m kidding. Never go full Utena. But since this blog is going very Utena until further notice, I invite you to watch the video “Redundancy Girl Utena” by sudoStef.
It begins as a humor piece in which he mocks the show’s repetitious use of the transformation sequence, also known as “Utena Ascending a Staircase No. 2.” Repetitious transformation sequences in mahou shoujo used to be the norm, back when anime recycled as much animation as possible. More recently, it’s gone out of fashion.
Personally, I disagree with sudoStef. Usually, when a magical girl starts transforming, that’s my cue to get up and get another beer. But I never get tired of Utena’s, probably because I ignore the repetitious animation and just headbang to the music.
At the end of the video, and the reason I’m posting it, he does a fine job of presenting an insightful interpretation, coming at it from an angle I hadn’t thought of. I am mostly interested in Utena‘s Gnostic metaphysics and epistemology, which it acquires from Hesse’s Demian. But sudoStef is interested in what we might call its politics, and he does an excellent job of linking the ambiguous conclusion back to the various characters’ machinations and backstabbing and social climbing.
He even does it without spoilers, though as he admits, that means that unless you’ve seen it yourself, you won’t know what he’s talking about. But for me at least, this gives another way to view it.